Cézanne and Bergson: Bergsonism in Cézanne’s Late Works (Revised Edition)
- 系列名:臺灣學人
- ISBN13:9781625034298
- 替代書名:塞尚與柏格森(國際英文版‧新版)
- 出版社:漢世紀數位文化EHGBooks
- 作者:尤昭良
- 裝訂/頁數:平裝/192頁
- 規格:28cm*21.5cm*1.1cm (高/寬/厚)
- 版次:1
- 出版日:2018/04/01
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商品簡介
第四章將論證柏格森哲學與塞尚晚年藝術廣泛的類似性,並依其先後發展歷程推斷其相關性;最後一章歸結本研究的哲學意義並解答若干具有爭論性的問題,包含: 柏格森哲學的發展也持續影響到部份塞尚的後繼者,如野獸主義、立體主義與未來主義的重要成員, 於是,以二十世紀初歐洲繪畫為主體的現代繪畫的重要特質之一,可較完整地被詮釋為:以塞尚為先導、一個富有變化與創意的「柏格森風格」(Bergsonian style)之表現形式與創新發展。
The main crux of this book is to discuss the analogy between Paul Cezanne’s late works and Henri Bergson’s early philosophy, thereby providing those who are interested in or troubled by the artist’s motivation a Bergsonian interpretation.
The writer adopts the method of contrast in analyzing both their notions of “intuition and intelligence” epistemology-wise as well as “appearance and reality” metaphysics-wise. This book will also compare their respective use of abstract philosophical symbols and concrete artistic symbols.
Aside from arguing the intensive relatedness between the two in the form of book for the first time, the author also points out how Bergson’s philosophical development continued to have influence on some of Cezanne’s artistic successors, such as the main proponents of Fauvism, Cubism and Futurism.
Consequently, a principal characteristic of early 20th century French painting could be interpreted as the multiple formal expressions and innovative developments of Bergsonian style, or the crystallization of Bergsonism.
作者簡介
曾任航運公司營業襄理(1980-97),現職國立臺北護理健康大學副教授 (2002-17)。
論著《塞尚與柏格森》、《創造與變現―現代藝術的柏格森風》;小說《塞尚密碼》。
目次
Preface
Table of Contents
Introduction
Chapter One: About Cézanne
Chapter Two: Critique of Cézanne Literature
Chapter Three: Bergson’s Philosophy
Chapter Four: When Two Masters Met
Chapter Five: Crystallization of Art and Philosophy
Index
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