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Pretexts for Writing ― German Romantic Prefaces, Literature, and Philosophy

Pretexts for Writing ― German Romantic Prefaces, Literature, and Philosophy

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Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker.
Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material
book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams
shows how European–and, above all, German–Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later
played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of
such an exercise.

作者簡介

Seán M. Williams is Vice-Chancellor’s Fellow in the School of Languages and Cultures at the University of Sheffield, UK. He was previously lecturer (“wissenschaftlicher Assistent”) in German and Comparative Literature at the University of Bern, Switzerland. He has published on German literature and philosophy around 1800, in comparative contexts.

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定價:100 1708
無庫存,下單後進貨
(到貨天數約30-45天)

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