Far Country ― Scenes from American Culture

The influential and controversial critic takes literary history out of the classroom and into the public

In the field of literary history and theory, Franco Moretti is synonymous with innovation. The cofounder of the Stanford Literary Lab, he brought quantitative methods into the study of the novel, enabling a “distant” reading that uses computation to analyze literary production over centuries. But at the same time, he was also teaching undergraduates the history of literature. Knowing Moretti, it’s no surprise that he didn’t teach the course the accepted way: one author after another, in a long uninterrupted chain. Instead, he put an irregular chessboard in front of his students that was too strange to be taken for granted. Literary history had become a problem, and he offered a solution.

In Far Country, Moretti take these lectures out of the classroom and lets us share in the passion and excitement that comes from radical critique. Unconstrained by genre, Moretti juxtaposes Whitman and Baudelaire, the Western and film noir, even Rembrandt and Warhol, illuminating each through their opposition. With his guidance, we revel in the process of transformation—the earthquakes that shook the “how” of artistic form—and begin to shape a new view on American culture.

Bracing in its insight and provocative in its conclusions, Far Country is a critical look at the development of American cultural hegemony.

Franco Moretti holds the Danily C. and Laura Louise Bell Professorship in the Humanities, Emeritus, at Stanford University, where he founded the Center for the Study of the Novel and the Literary Lab. He is the author of many books, including Graphs, Maps, Trees, The Bourgeois, and Distant Reading, winner of the 2014 National Book Critics Circle Award for Criticism. He writes regularly for New Left Review. Moretti’s work has been translated into more than twenty languages. He lives in Switzerland.