This pivot considers key transformations within the Chinese film industry since the country opened its doors to the outside world in the late 1970s, and moved from an ideologically-centred censorship
Has China in the 1980s gone through a phase of "youth rebellion" comparable with that represented in films such as Rebel Without a Cause (1954), Look Back in Anger (1959) or Easy Rider (1969)? The pre
This book explores the vigorous film cultures of mainland China, Taiwan and Hong Kong from the perspective of youth culture. The book relates this important topic to the wider social, cultural, and in
