商品簡介
This volume of entirely new essays provides innovative, interdisciplinary approaches to the various ways Shakespeare’s Macbeth has been adapted and appropriated within the context of American racial constructions. Comprehensive in its scope, this collection addresses the enduringly fraught history of Macbeth in the United States, from its appearance as the first Shakespearean play documented in the American colonies to a proposed Hollywood film version with a black diasporic cast. Over two dozen contributions explore Macbeth’s haunting presence in American drama, poetry, film, music, history, politics, acting, and directing—all through the intersections of race and performance.
作者簡介
Scott L. Newstok is Associate Professor of English at Rhodes College, where he organized the 2008 symposium on Macbeth and African-American culture. He has edited Kenneth Burke on Shakespeare (Parlor Press, 2007), and has published a study of the rhetoric of English epitaphs, Quoting Death in Early Modern England: The Poetics of Epitaphs Beyond the Tomb (Palgrave, 2009).
Ayanna Thompson is Associate Professor of English, and an affiliate faculty in Women & Gender Studies and Film & Media Studies at Arizona State University. She is author of Performing Race and Torture on the Early Modern Stage (Routledge, 2008), and the editor of Colorblind Shakespeare: New Perspectives on Race and Performance (Routledge, 2006) and two special issues of Shakespeare Bulletin and Borrowers and Lenders. Her new book project on Shakespeare and race, Passing Strange, is forthcoming from Oxford.
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