滿額折
Keeping it Real: From the ready-made to the everyday: The D. Daskalopoulos Collection
- ISBN13：9780854881819
- 出版社：PBKWTSPG
- 作者：Achim Borchardt-Hume
- 裝訂：平裝
- 規格：1.3cm (厚)
- 出版日：2010/06/11
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This new publication traces the history of artists and their engagement with materials in late twentieth-century by closely analysing more than sixty key works from the D. Daskalopoulos Collection, Athens.
Marcel Duchamp’s notorious Fountain 1917-64 serves as starting point for probing the relationship between art and reality. Act 1: The Corporeal pays particular attention to re-emergence of sculpture, the invented ready-made and installation in the work of artists such as Louise Bourgeois, Robert Gober, David Hammons and Sherrie Levine who examine issues of identity, sexuality, love, loss and desire. Act 2: Subversive Abstraction examines works by artists including Lynda Benglis, Mike Kelley and Dieter Roth which combine the formal language of abstraction with the use of abject materials. A single large-scale installation by Mona Hatoum referencing both the body and the minimalist grid forms the focus of Act 3: Current Disturbance, whereas Act 4: Material Intelligence looks at the role of image as material and the increasingly prevalent engagement with the everyday as artistic source material.
Written and edited by Achim Borchardt-Hume, this book is essential reading for anybody interested in the influence of Duchamp’s revolutionary invention of the ready-made on late twentieth century art.
Marcel Duchamp’s notorious Fountain 1917-64 serves as starting point for probing the relationship between art and reality. Act 1: The Corporeal pays particular attention to re-emergence of sculpture, the invented ready-made and installation in the work of artists such as Louise Bourgeois, Robert Gober, David Hammons and Sherrie Levine who examine issues of identity, sexuality, love, loss and desire. Act 2: Subversive Abstraction examines works by artists including Lynda Benglis, Mike Kelley and Dieter Roth which combine the formal language of abstraction with the use of abject materials. A single large-scale installation by Mona Hatoum referencing both the body and the minimalist grid forms the focus of Act 3: Current Disturbance, whereas Act 4: Material Intelligence looks at the role of image as material and the increasingly prevalent engagement with the everyday as artistic source material.
Written and edited by Achim Borchardt-Hume, this book is essential reading for anybody interested in the influence of Duchamp’s revolutionary invention of the ready-made on late twentieth century art.
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