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What compelled US museums to return works of art to Holocaust survivors? What prevents plundering of works of art in times of war? This edition has been completely updated to reflect recent changes in treaty, statutory and case law relating to the visual arts. Merryman (law emeritus, Stanford U. Law School) and his co-authors describe how international trade in art differs from other types of trade, analyze who owns what in terms of both art and antiquities, describe the latest in repatriation of cultural property and cover plunder, reparations and the consequences of destruction of art objects. They address the artist's rights in the work of art, including copyright and resale rights, regulations concerning artistic freedom, including in cases where the state is the consumer, the law life of the artists, including relations with patrons and consumers and tax considerations, and laws and regulations applying to collectors and museums. Distributed in North America by Aspen Publishers, Inc. Annotation c2008 Book News, Inc., Portland, OR (booknews.com)
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