John Cage

John Cage (1912--1992) defined a radical practice of composition that changed thecourse of modern music and shaped a new conceptual horizon for postwar art. Famous for his use ofchance and "silence" in musical works, a pioneer in electronic music and the nonstandarduse of instruments, Cage was one of the most influential composers of the last century. This volumetraces a trajectory of writings on the artist, from the earliest critical reactions to thescholarship of today. If the first writing on Cage in the American context, often written by closeassociates with Cage's involvement, seemed lacking in critical distance, younger scholars--ageneration removed--have recently begun to approach the legacy from a new perspective, with moredeveloped theoretical frameworks and greater skepticism. This book captures that evolution. Thetexts include discussions of Cage's work in the context of the New Music scene in Germany in the1950s; Yvonne Rainer's essay looking back on Cage and New York experimentalism of the 1960s; acomplex and original mapping of Cage's place in a wider avant-garde genealogy that includes LeCorbusier and Moholy-Nagy; a musicologist's account of Cage's process of defining and formalizinghis concept of indeterminacy; and an analysis of Cage's project that considers his strategies ofself-representation as key to his unique impact on modern and postmodern art.

Julia Robinson is Assistant Professor in the Department of Art History at New York University. She was the curator of the exhibition "John Cage & Experimental Art: The Anarchy of Silence" and editor of the accompanying catalog. She is also the editor of New Realisms: 1957--1962: Object Strategies Between Readymade and Spectacle (Museo Reina Sofia/MIT Press, 2010) and was the curator of the exhibition it accompanied.