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Critical Readings in Impressionism and Post-Impressionism ― An Anthology
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"This compilation will prove highly useful in its assessment of figure and landscape painting; criticism and exhibition strategies; and social, economic,and political history. Distinct art historical voices are brought together, offering the reader a broad spectrum of approaches to the subject."--Margaret Werth, author of The Joy of Life: The Idyllic in French Art, circa 1900
"The texts that Lewis presents are knowledgeably and intelligently chosen and cover the basic revisionist trends in recent scholarship in a broad and admirably thoughtful way."--Jack Flam, author of Matisse and Picasso: The Story of their Rivalry and Friendship
"Mary Tompkins Lewis's anthology provides a welcome tool not only for courses on Impressionism itself, but also for anyone interested in teaching a methods course in art history."--James Rubin, author of Impressionist Cats and Dogs: Pets in the Painting of Modern Life
"The texts that Lewis presents are knowledgeably and intelligently chosen and cover the basic revisionist trends in recent scholarship in a broad and admirably thoughtful way."--Jack Flam, author of Matisse and Picasso: The Story of their Rivalry and Friendship
"Mary Tompkins Lewis's anthology provides a welcome tool not only for courses on Impressionism itself, but also for anyone interested in teaching a methods course in art history."--James Rubin, author of Impressionist Cats and Dogs: Pets in the Painting of Modern Life
作者簡介
Mary Tompkins Lewis is Visiting Associate Professor in the Department of Fine Arts at Trinity College, Hartford. She is the author of Cezanne’s Early Imagery (UC Press) and Cezanne.
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