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The characters speak in complete sentences without contractions. They are eccentric, self-absorbed, and they speak of Art (capitalized) and Beauty (capitalized) while they regard lives that are largely without the money or emotional balance needed to own either. Even so, Gissing's classic is compelling, often spell-binding. Editor Arata (English, U. of Virginia) places these characters and their bitterness, frustration and futility squarely within their own creative and social contexts, and gives readers a solid background in Gissing's experiences which led to this premier analysis of the toll of a creative life. He also makes important points about the precarious status of publishing Gissing encountered in the nineteenth century, parallels with current times, and the declining interest in literature Gissing sensed--a decline that has become full-blown. Annotation c2008 Book News, Inc., Portland, OR (booknews.com)
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Stephen Arata is Associate Professor of English at the University of Virginia. He is the editor of the Broadview edition of William Morris's News from Nowhere (2002).
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