商品簡介
The invention of the present-tense novel is a literary event whose importance is on par with the discovery of perspective in painting. From the first present-tense novels shaped by interior monologues and avant-garde factography (e.g. in Arthur Schnitzler or James Joyce) and the use of the present-tense in the tradition of modernism, the history of present-tense narration has changed the conditions of fictional narration over the course of its century-long development, along with our conceptions of time in a philosophical and linguistic framework. Indeed, for an understanding of the work of an increasing number of contemporary writers (J. M. Coetzee, Tom McCarthy, Thomas Pynchon to name only a few) it is both necessary to understand the distinct linguistic and literary qualities of the present tense as well as its (historical) transformation to a genuine tense of contemporary storytelling.
For the first time in literary scholarship, Present Tense: A Poetics offers an account of an epochal evolution in 20th- and 21st-century fiction.
作者簡介
Armen Avanessian is a professor at the Peter Szondi Institute for Comparative Literature at the Free University Berlin, Germany. He has been a Visiting Fellow in the German Department at Columbia University (2011) and in the German Department at Yale University (2012). He is also editor of the book series SPEKULATIONEN and guest editor of the seriesTheories for the 21st Century. In 2012 he founded a research platform on Speculative Poetics, including a series of events, translations and publications: www.spekulative-poetik.de.
Anke Hennig is a Research Fellow in the Collaborative Research Centre 626 'Aesthetic Experience and the Dissolution of Artistic Limits' and teaches at the Peter Szondi Institute of Comparative Literature at the Free University Berlin, Germany. She is the author of Sowjetische Kinodramaturgie. Konfliktlinien zwischen Literatur und Film in der Sowjetunion der 1930er Jahre, a media history of Soviet Cinematic Dramaturgy published in 2010.
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