The Songs of Homer (Cambridge University Press, 1962) was a major contribution to Homeric studies, establishing important theories about the composition, structure and transmission of the monumental poems. In this 1976 volume, Geoffrey Kirk returns to Homer, but the themes are largely different. He considers in particular the nature of oral and epic poetry, and the meaning of an oral tradition. There are problems here of interest not only to classicists and Homeric specialists but also to students of English and comparative literature, and to anthropologists concerned with the literature of traditional societies. Those pieces that were previously published were revised and unified for the volume. The longest section, on 'the oral and the literary epic', is derived from the J. H. Gray Lectures, which Professor Kirk delivered in Cambridge in 1974 and which had not been previously published in any form.
This is the second volume in the major six-volume commentary on The Iliad now being prepared under the general editorship of Professor Kirk. Volume I was published in 1985. As before the volume consists of four introductory essays followed by the commentary itself. The Greek text is not included. This project is the first large-scale commentary on The Iliad for nearly 100 years, and takes special account of language, style and thematic structure as well as of the complex social and cultural background to the work.
This is the first volume of a projected six-volume Commentary on Homer's Iliad, under the General Editorship of professor G. S. Kirk. Professor Kirk himself is the editor of the present volume, which covers the first four Books of Iliad. It consists of four introductory chapters, dealing in particular with rhythm and formular techniques, followed by the detailed commentary which aims at helping serious readers by attempting to identify and deal with most of the difficulties which might stand in the way of a sensitive and informed response to the poem. The Catalogues in Book 2 recieve especially full treatment. The book does not include a Greek text - important matters pertaining to the text are discussed in the commentary. It is hoped that the volume as a whole will lead scholars to a better understanding of the epic style as well as of many well-known thematic problems on a larger scale. This Commentary will be an essential reference work for all students of Greek literature
The Bacchae is the last and greatest of Euripides' plays. Its theme of the cost of resisting the gods who reside in human nature itself is still of immediate interest to audiences and readers and has inspired modern interpretations. Professor Kirk has made a translation which is both accurate and readable. This he supports with an analytic commentary and a substantial introductory essay which provide the Greek-less reader with essential background information and offer interpretation of a kind usually found only in Greek editions. This is a translation for students of Greek tragedy, particularly in courses on classics in translations or classical civilisation. It will also be useful for students of drama and of English and other literatures.
This is a shortened and rearranged version of The Songs of Homer, Professor Kirk's vivid and comprehensive account of the background and development of the Homeric poems and of their quality as literature. His purpose remains the same: to develop a comprehensive and unified view of the nature of the Iliad and the Odyssey, of their relation to the oral heroic poetry of the Greek Dark Age, and of their creation as poems by two great singers in the eighth century BC. The essential attitudes and arguments of the earlier work have been retained, but the whole has been reduced in detail by some two-fifths. The sections on the historical background, the possibilities of Achaean and Aeolic epic, and the technical aspects of the language have been abbreviated most, and those dealing with oral poetry and the Iliad and Odyssey as literature least of all. Professor Kirk has also changed the order and increased the number of chapters. Almost all the Greek is translated, and the new version can be
This is the second volume in the major six-volume commentary on The Iliad now being prepared under the general editorship of Professor Kirk. Volume I was published in 1985. As before the volume consists of four introductory essays followed by the commentary itself. The Greek text is not included. This project is the first large-scale commentary on The Iliad for nearly 100 years, and takes special account of language, style and thematic structure as well as of the complex social and cultural background to the work.
Beginning with a long and extensively rewritten introduction surveying the predecessors of the Presocratics, this book traces the intellectual revolution initiated by Thales in the sixth century BC to its culmination in the metaphysics of Parmenides and the complex physical theories of Anaxagoras and the Atomists in the fifth century it is based on a selection of some six hundred texts, in Greek and a close English translation which in this edition is given more prominence. These provide the basis for a detailed critical study of the principal individual thinkers of the time. Besides serving as an essential text for undergraduate and graduate courses in Greek philosophy and in the history of science, this book will appeal to a wide range of readers with interests in philosophy, theology, the history of ideas and of the ancient world, and indeed to anyone who wants an authoritative account of the Presocratics.
The literature of the western world begins with one of its greatest achievements. The stories of the wrath of Achilles and its consequences, and of the wanderings of Odysseus, have been admired from ancient times to the present day. The two great epics can be read and enjoyed, unreflectingly, as tales of adventure; or they can be studied as literature, yielding, as insight and understanding grow, a deeper and more permanent pleasure. Professor Kirk's book is the means to this pleasure. It is a vivid and comprehensive account of the background and development of the Homeric poems and of their quality as literature. The epics are seen primarily as oral poetry, sung for centuries by illiterate singers; and from this view rises discussion of the problems of authorship and transmission. The historical, archaeological and linguistic evidence is also examined; and the possible contributions of the Mycenaean period and of the subsequent Dark Age are shown in a fresh light.
The first English prose translation of Homer's The Odyssey to appear in over thirty years, Shewring's translation comes as close to the spirit of the original Greek as our language will allow.
