In early modern Iberia, Moorish clothing was not merely a cultural remnant from the Islamic period, but an artefact that conditioned discourses of nobility and social preeminence. In Moors Dressed as
The Spanish Arcadia analyzes the figure of the shepherd in the sixteenth- and seventeenth-century Spanish imaginary, exploring its centrality to the discourses on racial, cultural, and religious ident
Uniting twelve original studies by scholars of early modern history, literature, and the arts, this collection is the first that foregrounds the dialectical quality of early modern Orientalism by taki
