In an attempt to elucidate the significance of modernism in poetry, Takeda (comparative literature, Hiroshima University) applies Peirce's semiotic theory to the principal works of three contemporary
Takeda presents students, academics, and researchers with an investigation of the act of translating the untranslatable, as embodied in the work of avant-garde poets. The author has organized the main
Takeda (comparative literature, Hiroshima U.) builds upon her previous work on modernist expression in Mallarme, Eliot and Yosano Akiko, here describing the significance of mmdernist poetry as a word,
