The loop is omnipresent―whether in music and video art, or hotel lobbies and living rooms, where flickering flames or aquariums with ceaselessly darting fish run continually on monitors. At the same t
How do female Indian artists position themselves today? How do they deal with their responsibilities to society, as well as with the legacy of their feminist predecessors? What kind of language do the
The loop is omnipresent―whether in music and video art, or hotel lobbies and living rooms, where flickering flames or aquariums with ceaselessly darting fish run continually on monitors. At the same t
How do female Indian artists position themselves today? How do they deal with their responsibilities to society, as well as with the legacy of their feminist predecessors? What kind of language do the
Which way do I go? We consciously and unconsciously travel numerous distances every day―not only shorter and longer distances, but inner ones as well. Both the works and the staging by the Danish arti
To celebrate its 25th anniversary, the Kunstmuseum Wolfsburg is presenting its extensive collection of contemporary art in what will be the largest survey of it to date. It includes more than 600 inst
Martin Kasper (*1962 in Schramberg) transforms the architectural spaces of his tempera paintings into soulfully sensitive arenas: he creates places of emptiness, spaces free of thought, moments of rel
When Luis Buñuel’s L’ Âge d’or was premiered on November 29, 1930, it hit a raw nerve, having a potent effect on the audience through its radical and sometimes scandalous imagery. Banned for fifty y
To celebrate its 25th anniversary, the Kunstmuseum Wolfsburg is presenting its extensive collection of contemporary art in what will be the largest survey of it to date. It includes more than 600 i
What is a city? Or even better: what can a city be? The new director of the Kunstmuseum Wolfsburg, Ralf Beil, not only asked himself this question but also presented it to a circle of selected artists
Which way do I go? We consciously and unconsciously travel numerous distances every day―not only shorter and longer distances, but inner ones as well. Both the works and the staging by the Danish arti
When Luis Buñuel’s L’ Âge d’or was premiered on November 29, 1930, it hit a raw nerve, having a potent effect on the audience through its radical and sometimes scandalous imagery. Banned for fifty y
Before John Cage (1912-1992), almost no one was as consistent as he was in his questioning of the boundaries of music and its connections to other fields of art and the everyday world. Along with Erik
