An in-depth analysis of many aspects of medieval painting technique, at the same time providing a much-needed entry into the rich Scandinavian scholarship which has been largely unavailable in English
This is the first systematic analysis of the pigments employed in medieval wall paintings in northern Europe, covering an extensive selection of schemes from a variety of sites including parish church
Ten authors offer novel accounts of the phenomenon of oil painting on stone surfaces in Northern and Southern Europe, from Sebastiano del Piombo’s invention at Rome in the sixteenth century to the ma
