This latest volume of Harper Design's ongoing Duets series focuses on a special creative relationship indeed -- that between architect Josep Llui s Sert (1902-1983) and artist Joan Miro (1893-1983).Bo
Bringing together paintings, drawings, and objects by the renowned Catalonian artist Joan Miro, this book emphasizes the poetic quality of the artist's extraordinary pictorial language. From his earli
In 1958, artist Joan Miró and critic Yvon Taillandier sat down for an in-depth discussion on Miró's life and work. Their conversation, one of the most illuminating and insightful looks i
Fixed Ecstasy advances a fundamentally new understanding of Mirs enterprise in the 1920s and of the most important works of his career. Without a doubt, Joan Mir (18931983) is one of the leading artis
Poetry. "Whether she is likening her father to the surreal paintings of Miro or addressing the folk legends of the phantasmagoric Baba Yaga, Claudia M. Reder brings lyric power, verve, and an elegant
Tracing Miro's career, this book begins in the 1920s with the artist's introduction to surrealism, cubism, and dadaism, and the flowering of his friendships with Picasso, Braque and other influential
Celebrating the life and work of Spanish Catalan painter Joan MirA3 (1893-1983), this volume is published in conjunction with a 2011 exhibition at Tate Modern, London, scheduled to travel during 2012
For nearly seven decades the ebullient art of Joan Miro (1893-1983), Spanish painter, sculptor, ceramist and mythmaker, has intrigued and enchanted art lovers worldwide. This collection of his writing
During the years after the September Revolution of 1868, Barcelona experienced tremendous industrial growth and emerged as the most politically and culturally progressive city in Spain. Barcelona a
When Joan Miro moved to Majorca in 1956 he already enjoyed an international reputation and still had twenty-five years to live, dying on the Balearic island in 1981. Confident in his capabilities and
In the late 1920s Joan Miro's attacks on the grand tradition of painting became more pronounced, and none was more notorious than the claim that he wanted to assassinate it. Just what he might have m
