定 價：NT$ 756 元
優惠價：79 折 597 元
領券後再享88折
領
團購優惠券A
8本以上且滿1500元
再享89折，單本省下66元
再享89折，單本省下66元
領
無庫存，下單後進貨(採購期約45個工作天)
可得紅利積點：17 點
相關商品
商品簡介
作者簡介
名人/編輯推薦
商品簡介
Beginning first as a case study of Feng Xiaogang, this book explores Chinese film history since the early 1990s in terms of changes of the Communist Party's film policy, industry reforms, the official promotion of Main Melody films and the emergence and growth of popular cinema. The image of Feng that will emerge in this book is of a filmmaker working under political and economic pressures in a post-socialist state while still striving to create works with a personal socio-political agenda. In keeping with this reality, this book approaches Feng as a special kind of film auteur whose works must be interpreted with attention to the specific social and political context of contemporary China.
The book will be a useful reference tool for students and scholars in the fields of Chinese studies, Chinese film history and film studies. It could also be used as textbook for classes about Asian cinema, international cinema and Chinese culture/film studies. The extensive use of data about the Chinese film market, and elaborate analysis of the situation of Chinese film industry make this book a valuable volume for classroom and personal use.
The book will be a useful reference tool for students and scholars in the fields of Chinese studies, Chinese film history and film studies. It could also be used as textbook for classes about Asian cinema, international cinema and Chinese culture/film studies. The extensive use of data about the Chinese film market, and elaborate analysis of the situation of Chinese film industry make this book a valuable volume for classroom and personal use.
作者簡介
Dr. Rui Zhang studied history of art and film at The Ohio State University. She is currently a postdoctoral research fellow at Tsinghua University in China.
名人/編輯推薦
"Feng Xiaogang, as the foremost creator of commercial films, is one of the most important directors inside China. Concerned with the daily life of ordinary people, he has not been duly studied in the West. Rui Zhang's careful analysis of his work is therefore an important addition to the literature on Chinese film." – Sheldon Lu, Professor of Comparative Literature at the University of California, Davis, author of China, Transnational Visuality, Global Postmodernity (2001) and Chinese Modernity and Global Biopolitics: Studies in Literature and Visual Culture ( 2007)
"Drawing insights from cultural studies and film criticism, Rui Zhang's book is a timely study of a quintessential figure in post-socialist popular culture and the flexibility of the Chinese state in balancing market reform with ideological control." – Yingjin Zhang, Professor of Comparative Literature at the University of California, San Diego, author of Screening China (2002) and Chinese National Cinema (2004)
"Drawing insights from cultural studies and film criticism, Rui Zhang's book is a timely study of a quintessential figure in post-socialist popular culture and the flexibility of the Chinese state in balancing market reform with ideological control." – Yingjin Zhang, Professor of Comparative Literature at the University of California, San Diego, author of Screening China (2002) and Chinese National Cinema (2004)
您曾經瀏覽過的商品
購物須知
為了保護您的權益，「三民網路書店」提供會員七日商品鑑賞期(收到商品為起始日)。
若要辦理退貨，請在商品鑑賞期內寄回，且商品必須是全新狀態與完整包裝(商品、附件、發票、隨貨贈品等)否則恕不接受退貨。