The Princesse De Cleves

Poised between the fading world of chivalric romance and a new psychological realism, Madame de Lafayette's novel of passion and self-deception marks a turning-point in the history of the novel. When it first appeared—anonymously—in 1678 in the heyday of French classicism, it aroused fierce controversy among critics and readers, in particular for the extraordinary confession which forms the climax of the story.

Marie-Madeleine Pioche de la Vergne was born in Paris in 1634. in 1656 she married the Comte de Lafayette, had two sons, and lived on his country estate. She then returned to Paris, and the couple remained largely separate from then on. She started a literary salon with her close friends Madame de Sevigne and the Duc de la Rochefoucauld. She also mixed in court circles and wrote a biography of her friend Henriette, wife of the Duc d'Orleans, after her death. She is mostly remembered for her novels. She died in 1693.

Robin Buss is a writer and translator who works for theIndependent on Sunday and as television critic for The Times Educational Supplement. He studied at the University of Paris, where he took a degree and a doctorate in French literature. He is part-author of the article 'French Literature' in Encyclopaedia Britannica and has published critical studies of works by Vigny and Cocteau, and three books on European cinema, The French Through Their Films (1988), Italian Films (1989) and French Film Noir (1994). He has also translated a number of volumes for Penguin Classics.