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魅麗。花火原創小說66折起
Bela Balazs: Early Film Theory: Visible Man and The Spirit of Film
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Bela Balazs: Early Film Theory: Visible Man and The Spirit of Film

定  價:NT$ 7155 元
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Bela Balazs's two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world. Balazs's detailed analyses of the close-up, the shot, and montage are illuminating both as still applicable models for film analysis, and as historical documents of his key contribution, alongside such contemporaries as Arnheim, Kracauer, and Benjamin, to critical debate on film in the “golden age” of the Weimar silents.

作者簡介

Bela Balazs was a Hungarian Jewish film theorist, author, screenwriter, and film director who was at the forefront of Hungarian literary life before being forced into exile for Communist activity after 1919. His German-language theoretical essays on film date from the mid-1920s to the mid-1930s, the period of his early exile in Vienna and Berlin. Erica Carter is Professor of German Studies at the University of Warwick. Her writings on film include The German Cinema Book (co-ed. Tim Bergfelder & Deniz Gokturk, 2002), and Dietrich's Ghosts. The Sublime and the Beautiful in Third Reich Film (2004). Rodney Livingstone is Emeritus Professor of German at the University of Southampton. He is well known as a translator of books by Walter Benjamin, Theodor W. Adorno, and Max Weber, among others.

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定價:100 7155
若需訂購本書,請電洽客服 02-25006600[分機130、131]。

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