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Facts and Artefacts ─ Art in the Islamic World, Festschrift for Jens Kroger on His 65th Birthday

Facts and Artefacts ─ Art in the Islamic World, Festschrift for Jens Kroger on His 65th Birthday

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This Festschrift on Islamic art is arranged by the medium used: glass, metal, rock crystal, ivory etc. Many of the authors present a study of a particular piece of art such as the "Emerald" of Charlemagne, now known to be lead glass, or a gilt glass bottle thought to come from twelfth-century Iraq. Others cover groups of artifacts, metal door-knockers, ivory boxes made for the Crusader market, enameled dragon art from Tibet. There are four essays on Islamic illustrated manuscripts including one on a world map from Moghul India. Another traces the theme of the sacrifice of Isaac in manuscripts, a reminder that some forms of Islamic art, human beings may be portrayed. There is a section on different ways in which Islamic art has influenced Western artists as disparate as Giotto and Louis Comfort Tiffany. A final three articles on architectural art round out this impressive collection. Each essay is accompanied by bland and white illustrations of the art being discussed. Annotation c2008 Book News, Inc., Portland, OR (booknews.com)

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Annette Hagedorn, Ph. D (1990) in Islamic Art History, University of Bonn, since 1993 research on the influence of Islamic Art on applied arts and art theory in Europe in the 19th and early 20th centuries. Articles and the publications Auf der Suche nach dem neuen Stil (Berlin 1998), The Phenomenon of 'Foreign' in Oriental Art (Reichert, 2006)Avinoam Shalem,Ph.D (1995), History of Art, University of Edinburgh, is professor of Islamic Art at Munich University. He has published extensively on Islamic 'minor arts' including Islam Christianized (Peter Lang, 2 ed., 1998), The Oliphant (Brill, 2004) and co-edited Austausch diplomatischer Geschenke in Spatantike und Byzanz (Reichert 2005).

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定價:100 15300
若需訂購本書,請電洽客服 02-25006600[分機130、131]。

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