Anxiety Muted ─ American Film Music in a Suburban Age
- ISBN13:9780199936175
- 出版社:Oxford Univ Press USA
- 作者:Stanley C. Pelkey (EDT); Anthony Bushard (EDT)
- 裝訂/頁數:平裝/336頁
- 規格:24.1cm*15.9cm*1.9cm (高/寬/厚)
- 出版日:2014/11/12
商品簡介
Anxiety Muted: American Film Music in a Suburban Age explores the role of music in American film and television of the 1950s and 1960s, as well as in films from more recent years that reflect upon this period. Throughout the collection, authors use music as a means to interrogate film and television in order to explore how anxieties about issues of community, social codes, gender, family and suburbanization -- all central concerns of the Fifties and Sixties -- have been treated in motion picture media relating to those decades. These references function as signs of the social and political assumptions about the American past that foil contemporary self-understanding. By studying these musical materials through the lens of relevant writings of the 1950s, it demonstrates that specific television shows such as Leave It to Beaver -- often seen as the epitome of Fifties naivety -- offers a more nuanced vision of community and conformity than is usually recognized, revealing much about our own current social anxieties.
By focusing on a common set of themes relevant to the time period, Anxiety Muted binds several strands of film studies into a cohesive and engaging introduction to the Fifties and Sixties, its visual media and its music. The book will be of interest to students and scholars of both film music and American music studies.
作者簡介
Stanley C. Pelkey II is Dean of the School of Liberal Arts and Sciences at Roberts Wesleyan College (Rochester, New York). A musicologist and cultural historian, he co-edited Music and History: Bridging the Disciplines (University Press of Mississippi, 2005) and has published articles on British composers and musical culture as well as on American film and television music.
Anthony Bushard is Associate Professor of music history in the Glenn Korff School of Music at the University of Nebraska, Lincoln. Most recently, he wrote Leonard Bernstein's On the Waterfront: A Film Score Guide (Scarecrow Press, 2013) and has published articles on jazz and film music and lectured on those topics at regional, national, and international conferences and symposia.
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