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Listening for Africa ─ Freedom, Modernity, and the Logic of Black Music's African Origins
- ISBN13：9780822363705
- 出版社：Duke Univ Pr
- 作者：Garc燰; David F.
- 裝訂／頁數：平裝／384頁
- 規格：22.2cm*14.6cm*2.5cm (高/寬/厚)
- 出版日：2017/08/11
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In Listening for Africa David F. García explores how a diverse group of musicians, dancers, academics, and activists engaged with the idea of black music and dance’s African origins between the 1930s and 1950s. García examines the work of figures ranging from Melville J. Herskovits, Katherine Dunham, and Asadata Dafora to Duke Ellington, Dámaso Pérez Prado, and others who believed that linking black music and dance with Africa and nature would help realize modernity’s promises of freedom in the face of fascism and racism in Europe and the Americas, colonialism in Africa, and the nuclear threat at the start of the Cold War. In analyzing their work, García traces how such attempts to link black music and dance to Africa unintentionally reinforced the binary relationships between the West and Africa, white and black, the modern and the primitive, science and magic, and rural and urban. It was, García demonstrates, modernity’s determinations of un-raced, heteronormative, and productive bodies and of scientific truth that helped defer the realization of individual and political freedom in the world.
作者簡介
David F. García is Associate Professor of Ethnomusicology at the University of North Carolina, Chapel Hill, and the author of Arsenio Rodríguez and the Transnational Flows of Latin Popular Music.
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