90折
Charlotte Salomon and the Theatre of Memory ─ The Nameless Artist in the Theatre of Memory 1940-1943
- ISBN13：9780300100723
- 出版社：Yale Univ Pr
- 作者：Griselda Pollock
- 裝訂／頁數：精裝／542頁
- 規格：26cm*19.7cm*4.4cm (高/寬/厚)
- 版次：1
- 出版日：2018/03/20
定 價：NT$ 3300 元
優惠價：90 折 2970 元
無庫存，下單後進貨(到貨天數約30-45天)
可得紅利積點：89 點
相關商品
商品簡介
作者簡介
商品簡介
An enlightening and overdue re-evaluation of the masterwork of a complex and under-appreciated artist
Charlotte Salomon (1917–1943) is renowned for a single, monumental, modernist artwork, Life? or Theatre? (Leben? oder Theater?), comprising 784 paintings and created between 1941 and 1942. This major art-historical study sheds new light on the remarkable combination of image, text and music, revealing Salomon’s wealth of references to cinema, opera, Berlin cabaret, and the painter’s self-consciously deployed modernist engagements with artists such as Van Gogh, Munch and Kollwitz. Additionally, Pollock draws attention to affinities in Salomon’s work with that of others who shared her experience of statelessness and menaced exile in Nazi-dominated Europe, including Hannah Arendt, Sigmund Freud, and Walter Benjamin.
In a reading informed by a rich range of insights originating in feminist theories of subjectivity, story-telling, memory, and trauma, Pollock confronts shocking new evidence of the extremity of the young artist’s last few months, and discovers in Leben? oder Theater? profound testimony to the everyday crime of familial sexual abuse of women.
Through her comprehensive research and many years of observation of the paintings, Griselda Pollock’s account claims for this impressive and important work its rightful place in the art of the 20th century.
Charlotte Salomon (1917–1943) is renowned for a single, monumental, modernist artwork, Life? or Theatre? (Leben? oder Theater?), comprising 784 paintings and created between 1941 and 1942. This major art-historical study sheds new light on the remarkable combination of image, text and music, revealing Salomon’s wealth of references to cinema, opera, Berlin cabaret, and the painter’s self-consciously deployed modernist engagements with artists such as Van Gogh, Munch and Kollwitz. Additionally, Pollock draws attention to affinities in Salomon’s work with that of others who shared her experience of statelessness and menaced exile in Nazi-dominated Europe, including Hannah Arendt, Sigmund Freud, and Walter Benjamin.
In a reading informed by a rich range of insights originating in feminist theories of subjectivity, story-telling, memory, and trauma, Pollock confronts shocking new evidence of the extremity of the young artist’s last few months, and discovers in Leben? oder Theater? profound testimony to the everyday crime of familial sexual abuse of women.
Through her comprehensive research and many years of observation of the paintings, Griselda Pollock’s account claims for this impressive and important work its rightful place in the art of the 20th century.
作者簡介
Griselda Pollock is professor of the social and critical histories of art in the School of Fine Art, History of Art and Cultural Studies at the University of Leeds.
您曾經瀏覽過的商品
購物須知
外文書商品之書封，為出版社提供之樣本。實際出貨商品，以出版社所提供之現有版本為主。部份書籍，因出版社供應狀況特殊，匯率將依實際狀況做調整。
無庫存之商品，在您完成訂單程序之後，將以空運的方式為你下單調貨。為了縮短等待的時間，建議您將外文書與其他商品分開下單，以獲得最快的取貨速度，平均調貨時間為1~2個月。
為了保護您的權益，「三民網路書店」提供會員七日商品鑑賞期(收到商品為起始日)。
若要辦理退貨，請在商品鑑賞期內寄回，且商品必須是全新狀態與完整包裝(商品、附件、發票、隨貨贈品等)否則恕不接受退貨。