滿額折
Crossmappings ― On Visual Culture
- 系列名：New Encounters: Arts, Cultures, Concepts
- ISBN13：9781788311076
- 出版社：Tauris Academic Studies
- 作者：Elisabeth Bronfen; Griselda Pollock (FRW)
- 裝訂／頁數：精裝／384頁
- 規格：24.1cm*16.5cm*3.2cm (高/寬/厚)
- 出版日：2018/04/28
定 價：NT$ 6890 元
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The great, influential cultural critic, Elisabeth Bronfen, sets out in this book a conversation between literature, cinema and visual culture. The crossmappings facilitated in and between these essays address the cultural survival of image formulas involving portraiture and the uncanny relation between the body and its visual representability, the gendering of war, death and the fragility of life, as well as sovereignty and political power.
Each chapter tracks transformations that occur as aesthetic figurations travel from one historical moment to another, but also from one medium to another. Many prominent artists are discussed during these journeys into the cultural imaginary, include Degas, Francesca Woodman, Cindy Sherman, Paul McCarthy, Eva Hesse, Louise Bourgeois, Wagner, Picasso, and Shakespeare, as well as classic Hollywood's film noir and melodrama and the TV series, "The Wire" and "House of Cards."
Each chapter tracks transformations that occur as aesthetic figurations travel from one historical moment to another, but also from one medium to another. Many prominent artists are discussed during these journeys into the cultural imaginary, include Degas, Francesca Woodman, Cindy Sherman, Paul McCarthy, Eva Hesse, Louise Bourgeois, Wagner, Picasso, and Shakespeare, as well as classic Hollywood's film noir and melodrama and the TV series, "The Wire" and "House of Cards."
作者簡介
Elisabeth Bronfen is Professor of English and American Studies at the University of Zurich and, since 2007, Global Distinguished Professor at New York University. She is a specialist in nineteenth and twentieth-century literature and her books in psychoanalysis, film, cultural theory and visual culture include Over Her Dead Body: Death, Femininity and the Aesthetic; The Knotted Subject: Hysteria and its Discontents; Night Passages: Philosophy, Literature and Film; Home in Hollywood: The Imaginary Geography of Cinema, and Mad Men, Death and the American Dream.Griselda Pollock is Professor of the Social & Critical Histories of Art and Director of Centre for Cultural Analysis, Theory and History at the University of Leeds.
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