Bushard (music history, U. of Nebraska, Lincoln) presents a musicological and sociological analysis of Leonard Bernstein's one and only film score that he wrote for On the Waterfront. Half of the book
The most familiar entertainment icons and storylines from the 1950s and 60s remain potent signs that continue to resonate within contemporary American society and culture. Both the political Left and
"In this collection, contributors employ diverse critical methods and perspectives to explore the role of music in American film and television of the 1950s and 1960s, as well as in films from more re