On May 13, 1950, Lillian Ross's first portrait of Ernest Hemingway was published in The New Yorker. It was an account of two days Hemingway spent in New York in 1949 on his way from Havana to Europe.
An anniversary edition of the classic Hollywood account follows the author's examination into Hollywood's language, customs, and preoccupations as learned during the 1950 production of Stephen Crane's
A noted writer for The New Yorker describes her forty-year passionate relationship with William Shawn, the magazine's famed editor, detailing their unconventional liaison, its implications, and her ca
William Shawn once called The Talk of the Town the soul of the magazine. The section began in the first issue, in 1925. But it wasn't until a couple of years later, when E. B. White and James Thurber
A classic look at Hollywood and the American film industry by The New Yorker's Lillian Ross, and named one of the "Top 100 Works of U.S. Journalism of the Twentieth Century."Lillian Ross worked a
From the inimitable veteran New Yorker journalist Lillian Ross—a stunning collection of Ross’s iconicNew Yorker pieces.A staff writer for The New Yorker since 1945, Lillian Ross is one of the few jour
From the inimitable New Yorker journalist Lillian Ross—“a collection of her most luminousNew Yorker pieces” (Entertainment Weekly, grade: A).A staff writer for The New Yorker since 1945, Lillian Ross
The Big Sur Trilogy is the story about one of the last pioneer families in America who lived freely and self-sufficiently in a remote area of the central California known as Big Sur. The Trilogy spans
