The fifth edition of this indispensable survey of photography spans the history of the medium, from its early development to the latest advances in technology and social media platforms. Mary Warner M
This compelling book chronicles the most influential ideas that have shaped photography from the invention of the daguerreotype in the early 19th century up to the digital revolution and beyond.Each i
The fourth edition of this comprehensive survey of international photography has been thoroughly revised and updated, including a detailed study of the history of Chinese photography, new material on
Photography Visionaries is an inspiring guide to 75 of the most influential photographers from c.1900 to the present. Entertainingly written by an expert on photography, it provides a fascinating insi
This compelling book chronicles the most influential ideas that have shaped photography from the invention of the daguerreotype in the early 19th century up to the digital revolution and beyond. Enter
First published in 1997, Photography and its Critics offers an overview of nineteenth-century American and European writing about photography from such disparate fields as art theory, social reform, and physiology. The earliest criticism of the invention was informed by an ample legacy of notions about objectivity, appearances, and copying. Received ideas about neutral vision, intuitive genius, and progress in art also shaped nineteenth-century understanding of photography. In this study, Mary Warner Marien argues that photography was an important social and cultural symbol for modernity and change in several fields, such as art and social reform. Moreover, she demonstrates how photography quickly emerged as a pliant symbol for modernity and change, one that could as easily oppose progress as promote democracy.
First published in 1997, Photography and its Critics offers an overview of nineteenth-century American and European writing about photography from such disparate fields as art theory, social reform, and physiology. The earliest criticism of the invention was informed by an ample legacy of notions about objectivity, appearances, and copying. Received ideas about neutral vision, intuitive genius, and progress in art also shaped nineteenth-century understanding of photography. In this study, Mary Warner Marien argues that photography was an important social and cultural symbol for modernity and change in several fields, such as art and social reform. Moreover, she demonstrates how photography quickly emerged as a pliant symbol for modernity and change, one that could as easily oppose progress as promote democracy.
This is the first volume of a two-volume art history survey text, containing chapters from prehistoric art through Mannerism. The 10th edition has been revised by a new co-author, Mary Warner Marien (
The 10th edition of this art history survey text has been revised by a new co-author, Mary Warner Marien (Syracuse U.), and includes new maps and 200 new works of art. Greater emphasis is given to wom
The second volume of a two-volume set, this art history survey contains chapters from the Renaissance through contemporary art. The 10th edition has been revised by a new co-author, Mary Warner Marien
