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A history of design teaching from the mid-1950s to the mid-1990s told through essays, interviews, remembrances, and primary materials.With contributions by more than forty of the most influential voices in art, architecture, and design, After the Bauhaus, Before the Internet traces a history of design teaching from the mid-1950s to the mid-1990s through essays, interviews, remembrances, and primary materials. Geoff Kaplan has gathered a multigenerational group of theorists and practitioners to explore what design thinking and interdisciplinarity mean for design and its pedagogy and how they can be placed within a conceptual and historical context. At a time when all our choices and behaviors are putatively curated, and when “design thinking” is recruited to solve problems from climate change to social media optimization, this volume looks at how design’s self-understandings as a discipline have changed and how they affect the ways it writes its own histories and theories.

How Silicon Valley, the dark net, and digital culture have affected our relationship to knowledge, history, language, aesthetics, reading, and truth.In October 2013, twenty-nine-year-old Ross William

Three nails for J. Robert Oppenheimer, more than half a century after the Manhattan Project.For Want of a Nail takes as its starting point a series of curious memoranda sent from J. Robert Oppenheimer

Video and performance artist Anne Walsh's encounter with and multipart response to surrealist painter Leonora Carrington's novel The Hearing Trumpet.Contributions by Dodie Bellamy, Julia Bryan-Wilson,

A fascinating account of Frank O'Hara in the prime of his creative life in New York, told through notes, images, and poems by his friend Bill Berkson.Poet and art critic Bill Berkson (1939–2016) had p

Essays and reminiscences by one of the preeminent art historians of our time, spanning more than four decades.An Oblique Autobiography assembles a new collection of essays and reminiscences by one of the preeminent art historians of our time. Spanning more than four decades of Yve-Alain Bois's work as a scholar, journal editor, and occasional curator, this volume traces a deeply personal itinerary through an important era of art history, in which the discipline―in part occasioned by Bois's own journey from France to the United States―was significantly reformulated by new methodologies. Detailing Bois’s early relationships with figures such as Roland Barthes, Hubert Damisch, Lygia Clark, and Jacques Derrida, as well as his extended engagements with Rosalind Krauss, Ellsworth Kelly, and Martin Barré, these essays track Bois's intellectual commitments against the backdrop of an evolving academic field. With texts that range from academic journal articles to obituaries, written from 1976

Essays by critic, artist, and curator Aria Dean that articulate her theory of “blaccelerationism.”Black Mass brings together a group of previously uncollected essays by critic, artist, and curator Aria Dean. Written over the past five years, these timely, wide-ranging texts deftly consider material culture’s intersections with race, technology, and politics. Spanning themes that range from trauma and necropolitics to memes and selfies, these essays offer frank, original assessments of the production and circulation of images in our accelerated media landscape. Dean draws from Frankfurt School philosophy, Black studies, and contemporary art to articulate her theory of “blaccelerationism,” which places the Black subject at the center of the coming end of the world―as both the agent of its demise and its inheritor. With one eye on the recent past and another anticipating the near future, Black Mass offers a glance in the rear view mirror from a vehicle moving toward a new reality at bre