Andrea Goulet takes the study of the novel into the realm of the visual by situating it in the context of nineteenth-century scientific and philosophical discourse about the nature of sight. She argue
Taking Edgar Allan Poe's 1841 "The Murders in the Rue Morgue" as an inaugural frame, Andrea Goulet traces shifting representations of violence, space, and nation in French crime fict
David F. BellTechnologies of Speed, Technologies of CrimeUri EisenzweigViolence Untold: The Birth of a Modern FascinationDominique KalifaCriminal Investigators at the Fin-de-siecleAndrea GouletCuriosi
This book presents a groundbreaking exploration of the hit television series Orphan Black and the questions it raises for performance and technology, gender and reproduction, and biopolitics and commu
