As almost (or, truly, virtually) every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely di
As almost (or, truly, virtually) every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely di
Rhetorically charged debates over theory have divided humanities scholars for decades. Rodowick steps back from arguments pro and con to assess why theory has become such a deeply contested concept. F
The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, D
This book asks what has been happening to film and to cinema as every aspect of making and viewing movies is being replaced by digital technologies. Even the idea of ?watching a film” has become an an
This book asks what has been happening to film and to cinema as every aspect of making and viewing movies is being replaced by digital technologies. Even the idea of ?watching a film” has become an an
This book argues that serious misreadings of Freud and Lacan on sexual difference have characterized prevailing models of psychoanalytic film criticism. In critiquing theories of identification and fe
Theory has been an embattled discourse in the academy for decades. But now it faces a serious challenge from those who want to model the analytical methods of all scholarly disciplines on the natural
Michel Foucault’s suggestion that this century would become known as “Deleuzian” was considered by Gilles Deleuze himself to be a joke “meant to make people who like us laugh, and make everyone else l
