Italy's Margins explores how certain places and social groups in Italy have been defined as marginal or peripheral since unification. This marginalization involves not only concrete policies but also ways of perceiving people and places as outside society's centre. The author looks closely at how photography and writing have supported political and social exclusion and, conversely, how they have been enlisted to challenge it. Five cases are examined: the peripheries of Italy's major cities after unification; its East African colonies in the 1930s; the less developed areas of its south in the 1950s; its psychiatric hospitals before the reforms of the late 1970s; and its 'nomad camps' after 2000. Each chapter takes its lead from a symptomatic photograph and is followed by other pictures and extracts from written texts. These allow the reader to examine how social marginalization is discursively performed by cultural products.
Otto Preminger said the history of the cinema was divided into two eras: one before and one after Rome Open City (Roima citta aperta). Made in 1945, the film is based on events that took place in Rome
with a new introduction by ERIC J. HOBSBAWM "Very usefully pulls the key passages from Gramsci's writings into one volume, which allows English-language readers an overall view of his work. Particular
with a new introduction by ERIC J. HOBSBAWM "Very usefully pulls the key passages from Gramsci's writings into one volume, which allows English-language readers an overall view of his work. Particular
The 1930s to the 1950s in Italy witnessed large increases in film-going, radio-listening, and the sale of music and weekly magazines. The industries that made and sold commercial, cultural products we
This illustrated introduction to the study of modern Italian culture brings together specialists in the fields of language; politics; religious, ethnic, and gender identities; the mass media; cultural
