In The Conspiracy of Modern Art the Brazilian critic and art-historian Luiz Renato Martins draws on Marxist theory to invite us to see familiar pictures anew.
The present studies on Brazilian modern art seek to specify some of the dominant contradictions of capitalism’s combined but uneven development as these appear from the global ‘periphery’.
The present studies on Brazilian modern art seek to specify some of the dominant contradictions of capitalism’s combined but uneven development as these appear from the global ‘periphery&r
In The Conspiracy of Modern Art the Brazilian critic and art-historian Luiz Renato Martins presents an engaging new account of modern art from David to Abstract Expressionism. Seen from the megalopoli
