Renaissance bodies, dressed and undressed, have not lacked attention in art historical literature, but scholarship on the male body has generally concentrated on phallic-oriented masculinity and been
Renaissance Florence, of endless fascination for the beauty of its art and architecture, is no less intriguing for its dynamic political, economic, and social life. In this book Patricia Lee Rubin cro
Examines the relationship between the production of objects and the production of memory and history in fifteenth-century Florence. Investigating the means and modes of formulating and recording those
