Italy was a vibrant center of video art production and experimentation throughout the 1970s and 1980s, attracting artists from all over the world and laying the foundation for video art as a concept i
This anthology explores the pioneering period of the British video art form that has become a hallmark of contemporary art. Drawing on interviews, ephemera, archived tapes, and installations from the
The Book Unbound presents important contributions to the discussions surrounding the editing of medieval texts, including the use of digital technology with historical and literary documents, while of
