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古典詩詞的女兒-葉嘉瑩

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2024年 (2)
2022~2023 (3)
2020~2021 (10)
2018~2019 (2)
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平裝 (16)
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作者

Alastair Minnis (1)
Ania (University of Silesia Malinowska Katowice) (1)
Christoph Bareither (Humboldt-Universitat zu Berlin) (1)
David (Concordia University Howes McGill University Montreal) (1)
David (Concordia University and McGill University Howes Montreal) (1)
Donovan O. Schaefer (1)
Elena Carrera (Queen Mary University of London) (1)
Frans-Willem Korsten (Universiteit Leiden),Inger (Vrije Universiteit Leemans Amsterdam),Cornelis (Universiteit Gent van der Haven Belgium),Karel Vanhaesebrouck (Universite Libre de Bruxelles) (1)
Katie Barclay (University of Adelaide) (1)
Leys Ruth Leys (1)
Lise (Macquarie University Waldek Sydney),Julian (Macquarie University Droogan Sydney),Catharine (Macquarie University Lumby Sydney) (1)
Margrit Pernau (1)
Monagle Clare Monagle (1)
Richard Read (1)
Rob Boddice (Freie Universitat Berlin),Mark Smith (University of South Carolina) (1)
Robert Phiddian (1)
Victoria Bates (University of Bristol) (1)
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Cambridge University Press (13)
Cambridge Univ Pr (4)

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17筆商品,1/1頁
Phantom Pains and Prosthetic Narratives:From George Dedlow to Dante
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作者:Alastair Minnis  出版社:Cambridge Univ Pr  出版日:2021/03/31 裝訂:平裝
'Phantom limb pain' designates the sensations which seem to emanate from limbs that in reality are missing. The phrase was coined by the American Civil War surgeon, Weir Mitchell, in reference to his fictional amputee, George Dedlow. Contemporary neuroscience holds that the brain encloses a schema which covers the whole body, and asserts its unity even if certain parts are missing. Reading backwards from Dedlow's sufferings, Alastair Minnis traces the medieval precedents and parallels, focusing on Augustine and Dante, who subscribed to the notion of a 'body in the soul'. Dante's souls in purgatory self-prosthesize with aerial phantoms as they long for the full embodiment which only the resurrection can bring. Is a complete body necessary for personhood? And how can the gamut of human feelings be run if parts or the entirety of one's body does not exist? Combining medieval studies and contemporary neuroscience, this absorbing study explores the fascinating and surprising history of
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Newborn Imitation:The Stakes of a Controversy
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作者:Leys Ruth Leys  出版社:Cambridge University Press  出版日:2020/07/31 裝訂:平裝
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Sensorium:Contextualizing the Senses and Cognition in History and Across Cultures
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作者:David (Concordia University Howes McGill University Montreal)  出版社:Cambridge University Press  出版日:2024/05/31 裝訂:精裝
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Sensory Perception, History and Geology:The Afterlife of Molyneux's Question in British, American and Australian Landscape Painting and Cultural Thought
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作者:Richard Read  出版社:Cambridge University Press  出版日:2021/12/31 裝訂:平裝
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Love in Contemporary Technoculture
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作者:Ania (University of Silesia Malinowska Katowice)  出版社:Cambridge University Press  出版日:2022/01/31 裝訂:平裝
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Playful Virtual Violence:An Ethnography of Emotional Practices in Video Games
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作者:Christoph Bareither (Humboldt-Universitat zu Berlin)  出版社:Cambridge University Press  出版日:2020/11/30 裝訂:平裝
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Scholastic Affect:Gender, Maternity and the History of Emotions
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作者:Monagle Clare Monagle  出版社:Cambridge University Press  出版日:2020/08/31 裝訂:平裝
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Satire and the Public Emotions
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作者:Robert Phiddian  出版社:Cambridge Univ Pr  出版日:2019/12/31 裝訂:平裝
The dream of political satire - to fearlessly speak truth to power - is not matched by its actual effects. This study explores the role of satirical communication in licensing public expression of harsh emotions defined in neuroscience as the CAD (contempt, anger, disgust) triad. The mobilisation of these emotions is a fundamental distinction between satirical and comic laughter. Phiddian pursues this argument particularly through an account of Jonathan Swift and his contemporaries. They played a crucial role in the early eighteenth century to make space in the public sphere for intemperate dissent, an essential condition of free political expression.
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The Evolution of Affect Theory ― The Humanities, the Sciences, and the Study of Power
90折
作者:Donovan O. Schaefer  出版社:Cambridge Univ Pr  出版日:2019/05/31 裝訂:平裝
Across the humanities, a set of interrelated concepts - excess, becoming, the event - have gained purchase as analytical tools for thinking about power. Some versions of affect theory rely on Gilles Deleuze's concept of 'becoming', proposing that affect is best understood as a field of dynamic novelty. Reconsidering affect theory's relationship with life sciences, Schaefer argues that this procedure fails as a register of the analytics of power. By way of a case study, this work concludes with a return to the work of Saba Mahmood, in particular her 2005 study of the women's mosque movement in Cairo, Politics of Piety.
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Feeling Terrified?:The Emotions of Online Violent Extremism
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Boredom
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作者:Elena Carrera (Queen Mary University of London)  出版社:Cambridge University Press  出版日:2023/07/31 裝訂:平裝
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Sensorium:Contextualizing the Senses and Cognition in History and Across Cultures
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作者:David (Concordia University and McGill University Howes Montreal)  出版社:Cambridge University Press  出版日:2024/05/31 裝訂:平裝
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Academic Emotions:Feeling the Institution
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作者:Katie Barclay (University of Adelaide)  出版社:Cambridge University Press  出版日:2021/12/31 裝訂:平裝
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Making Noise in the Modern Hospital
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作者:Victoria Bates (University of Bristol)  出版社:Cambridge University Press  出版日:2021/10/31 裝訂:平裝
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Emotions and Temporalities
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作者:Margrit Pernau  出版社:Cambridge Univ Pr  出版日:2021/09/30 裝訂:平裝
This Element brings together the history of emotions and temporalities, offering a new perspective on both. Time was often imagined as a movement from the past to the future: the past is gone and the future not yet here. Only present-day subjects could establish relations to other times, recovering history as well as imagining and anticipating the future. In a movement paralleling the emphasis on the porous self, constituted by emotions situated not inside but between subjects, this Element argues for a porous present, which is open to the intervention of ghosts coming from the past and from the future. What needs investigating is the flow between times as much as the creation of boundaries between them, which first banishes the ghosts and then denies their existence. Emotions are the most important way through which subjects situate and understand themselves in time.
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Emotion, Sense, Experience
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