There is a new generation of Latina/o dramatists afoot. According to Caridad Svich, editor of Out of the Fringe: Contemporary Latina/Latino Theatre and Performance, "There is a wave of dramatists, sto
This guide for stage directors contains lists of director training programs; career development opportunities; regional theater opportunities; grants, fellowships, and awards; service organizations an
100% pure high octane Bogosian.Bogosian's latest and greatest monologue."His wit is as venomous as ever, his material even more devastating and polished than before."—New York Daily News"Bogosian hasn
The Ground on Which I Stand is August Wilson's eloquent and personal call for African American artists to seize the power over their own cultural identity and to establish permanent institutions that
Naomi Wallace's plays speak the underside of life. Her characters suffer and survive against the enormous weight of the times with a dignity that inspires. Her work challenges the audience and reader
For nearly two years, Fringe Benefits, a team of professional artists, teachers, parents and youth, have been working to concoct Cootie Shots, a delicious assortment of plays, songs and interactive p
"Wickedly clever . . . Ruhl's unique, breezily elegant dialogue is fully present, as is her pleasingly loopy logic."?Variety"In the smart, rollicking Stage Kiss . . . passion and fidelity engage in a
Winner of the 2010 Pulitzer Prize for DramaRock is alive and rolling like thunder in Next to Normal. It’s the best musical of the season by a mile . . . an emotional powerhouse with a fir
Winner of the 2009 Pulitzer Prize for Drama A rain forest bar and brothel in the brutally war-torn Congo is the setting for Lynn Nottage's extraordinary new play. The establishment's shrewd matriarch
Now a major motion picture! Starring Meryl Streep, Philip Seymour Hoffman, and Amy Adams. Written and directed by John Patrick Shanley from his Pulitzer Prize-winning play.
High-school friends, lingering in suburban Burnfield long after graduation, have adopted a 7-Eleven parking lot as their home away from home. The suffocatingly safe world of modern American suburbia
In this mock-documentary play, David Henry Hwang puts himself center stage, as he uses the controversy over color-blind casting for Miss Saigon and the racially motivated federal investigation of his
“I came to see that a line that simply says ‘I love you,’ at the right point in the show, is entirely adequate, that a great deal of verbal sophistication is not necessarily called for. . . . Speak-ab
An incessantly ringing cell phone in a quiet cafe. A stranger at the next table who has had enough. And a dead man - with a lot of loose ends. So begins Dead Man's Cell Phone, the odyssey of a woman
