Poetry. In AGAIN, Lynne Knight's musical and compelling fourth full-length collection of poetry, her measured and lyrical voice reveals desire and memory as physical presences: spirits invoked by the
Poetry. In her second full-length poetry collection, Carolyn Miller visits light in each season of nature and of life, revealing shifting states of joy and grief, aging and beauty. Her unpresumptuous
Poetry. Gillian Wegener's first full-length book of poetry, THE OPPOSITE OF CLAIRVOYANCE, delves deeply and tenderly into the territory of the everyday. With an eye tuned to the most delicate of detai
Poetry. California Studies. Foreword by Robert Hass. The poems in this anthology embody what it's like to live in the astonishing weave of cities and towns, landscape and language, climate and history
Poetry. BECAUSE is a book that reminds us why it matters that we are here, living our complicated lives, our days crowded with houses, buses, work, cafes, bakeries, fear and singing, brief joy and &qu
Poetry. African & African American Studies. Soon after the 2016 presidential election, Sixteen Rivers Press, a shared-work collective of Northern California poets, conducted a nationally advertised ca
Poetry. The first section of BODY, IN GOOD LIGHT opens with the words, "Between any two points, there is a love story": points on a compass, points in time, between lovers and strangers, mother and ch
Poetry. The poems in THIS SWEET HAPHAZARD are anything but haphazard in their designs and effects, and while sweetness resides here, it's a sweetness hard won by looking at life unflinchingly. "Green
GREAT BLUE, a posthumous collection of poems by Susan Herron Sibbet, spans three decades, from her first published works to her death in 2013. Her world is large, encompassing both nature's bounty—gre
Poetry. TILLER NORTH takes us behind the walls of a fishing village in coastal Maine. With her insider's voice, Rosa Lane breaks the code of silence in her telling: secrets embedded within class, sexu
Poetry. "It was July, the woods filled with the sound of wind in the pines, water over rocks, the language of forgetting." Like the wind, like water, the poems in Lynne Knight's sixth collection carry
