Wang Wen-hsing caused a sensation in Taiwan in 1972 with publication of Family Catastrophe, his first full-length novel. Many critics were outraged, called it socially irresponsible, morally corrupt, and stylistically irrational, but the novel weathered its controversial reception to become what is now widely regarded as a masterpiece in modern Chinese fiction and the benchmark of Taiwan?s Modernist movement. Often described as Joycean, Family Catastrophe is significant for its stylistic and linguistic experimentation as well as for its disturbing and universal themes. It appears now in English for the first time.
Max, the biggest bully in first grade, just can't believe that Freddy Thresher and his best friend, Robbie, are going on a camping trip this weekend. Worse yet, Freddy's sister, Suzie, has bet him a full week's worth of chores that he'll be too much of a scaredy-cat to spend the whole night in the wild! And, even though Freddy is a little bit worried, he sure isn't going to let Suzie win a bet that involves cleaning the basement! Shark head flashlight, sleeping back, tent, and S'more supplies in tow, Freddy, Robbie, and Mr. Thresher head off to the camp grounds for a weekend of campfire fun. But, when Freddy and Robbie stray from their firewood collecting and come across a busy beehive, the trip takes an adventurous and hilarious turn! A high-speed bee chase, a disastrous fishing contest, two spooky ghost stories, and one midnight bear visit later, Freddy will have plenty to tell Mrs. Wushy's class on Monday!
In 1998, after having been married to Duncan—a bully who’s been controlling her for the fourteen years they’ve been together—Karen E. Lee thought divorce was in the cards. But ten months after telling
A transporting, good-humored, and revealing account of Greece’s dire troubles, reported from the mountain villages, idyllic islands, and hardscrabble streets that define the country todayIn recent yea
A transporting, good-humored, and revealing account of Greece’s dire troubles, reported from the mountain villages, idyllic islands, and hardscrabble streets that define the country todayIn recent yea
In recent years, small Greece, often associated with ancient philosophers and marble ruins, whitewashed villages and cerulean seas, has been at the center of a debt crisis that has sown economic and s
We've all had days when if we didn't laugh, we'd cry. Whether it's a domestic drama, career cockup or just a run-of-the-mill disaster, we've all been there - no matter who we are. In this hilarious an
Merging the spirits of Don Quixote, Shakespearean fools, Theodore Roethke, Frank O’Hara, James Merrill, and the Marx Brothers, Zach Savich’s first book does more than showcase the
Stress. It is everywhere around us. Even worse, it gets inside us: sapping our energy, undermining our health, and making us more vulnerable to anxiety, depression, and disease. Now, based on Dr. Jon
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On 31 January 1918 nine K Class steam-powered submarines sailed with the Grand Fleet to Exercise in the North Sea. The ships left the Firth of Forth at a speed of 21 knots on a cold winter night with
Theodor W. Adorno's aesthetics has dominated discussions about art and aesthetic modernism since World War II, and continues to inform contemporary theorizing. Situating Adorno's aesthetic theory in the context of post-Kantian European philosophy, Espen Hammer explores Adorno's critical view of art as engaged in reconsidering fundamental features of our relation to nature and reality. His book is structured around what Adorno regarded as the contemporary aesthetician's overarching task: to achieve a vision of the fate of art in the modern world, while demonstrating its unique cognitive potential. Hammer offers a lively examination of Adorno's work through the central problem of what full human self-actualization would require, and also discusses the wider philosophical significance of aesthetic modernism. This book will be a valuable resource for scholars and students of social philosophy, art, and aesthetics.
Theodor W. Adorno's aesthetics has dominated discussions about art and aesthetic modernism since World War II, and continues to inform contemporary theorizing. Situating Adorno's aesthetic theory in the context of post-Kantian European philosophy, Espen Hammer explores Adorno's critical view of art as engaged in reconsidering fundamental features of our relation to nature and reality. His book is structured around what Adorno regarded as the contemporary aesthetician's overarching task: to achieve a vision of the fate of art in the modern world, while demonstrating its unique cognitive potential. Hammer offers a lively examination of Adorno's work through the central problem of what full human self-actualization would require, and also discusses the wider philosophical significance of aesthetic modernism. This book will be a valuable resource for scholars and students of social philosophy, art, and aesthetics.