Franz Radziwill and the Contradictions of German Art History, 1919-45
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In Franz Radziwill anti the Contradictions of German Art History, 1919-45, James A. van Dyke tells the story of a well-known modern artist who regarded modernity and civilization with deep ambivalence during the 1920's and then for a time became a strong supporter of National Socialism. Radziwill's art, politics, and career are embedded in the debates about the definition of German art and state art policy in and after Hitler's rise. Challenging the monolithic view of "the Nazis," this book details how a painter could be championed by certain powerful National Socialists and be seen as a "degenerate" artist by others, how he could criticize the state and yet fight for the Fatherland, and how the unevenness of Hitler's state could foster hope and resistance even in a man who ultimately was deeply distressed by events.
作者簡介
James A. Van Dyke Is Assistant Professor of Modern European Art History in the Department of Art History and Archaeology at the University of Missouri in Columbia, Missouri, and has published extensively on German modern art.
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