Youth, Heart of Darkness, the End of the Tether

Conrad's aim was 'by the power of the written word, to make you hear, to make you feel . . . before all, to make you see' Heart of Darkness, his exploration of European colonialism in Africa and of elusive human values, embodies more profoundly than almost any other modern fiction the difficulty of 'seeing,' its relativity and shifting compromise. Portraying a young man's first sea-voyage to the East in Youth, an unenlightened maturity in Heart of Darkness, and the blind old age of Captain Whalley in The End of the Tether, the stories in this volume are united in their theme - the 'Ages of Man' - and in their scepticism. Conrad's vision has influenced twentieth-century writers and artists from T. S. Eliot to Jorge Luis Borges and Werner Herzog, and continues to draw critical fire. In his stimulating introduction John Lyon discusses the links between these three stories, the critiques of Chinua Achebe and Edward Said, and the ebb and flow of Conrad's magnificent narrative art.

@JungleFever Heading down to Africa on a boat. Too hot! I get the creeping sense this job isn’t going to be as cushy as they made it sound.

The natives seem unhappy. Some are even violent! Why don’t they appreciate how much we’ve done for them? Ungrateful welfare leeches, I say!

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Joseph Conrad (originally Jozef Teodor Konrad Nalecz Korzeniowski) was born in the Ukraine in 1857 and grew up under Tsarist autocracy. His parents, ardent Polish patriots, died when he was a child, following their exile for anti-Russian activities, and he came under the protection of his tradition-conscious uncle, Thaddeus Bobrowski, who watched over him for the next twenty-five years. In 1874 Bobrowski conceded to his nephew's passionate desire to go to sea, and Conrad travelled to Marseilles, where he served in French merchant vessels before joining a British ship in 1878 as an apprentice. In 1886 he obtained British nationality and his Master's certificate in the British Merchant Service. Eight years later he left the sea to devote himself to writing, publishing his first novel, Almayer's Folly, in 1895. The following year he married Jessie George and eventually settled in Kent, where he produced within fifteen years such modern classics as Youth, Heart of Darkness, Lord Jim, Typhoon, Nostromo, The Secret Agent and Under Western Eyes. He continued to write until his death in 1924. Today Conrad is generally regarded as one of the greatest writers of fiction in English?his third language. He once described himself as being concerned 'with the ideal value of things, events and people'; in the Preface to The Nigger of the 'Narcissus' he defined his task as 'by the power of the written word ... before all, to make you see'.