How the Russians Read the French ─ Lermontov, Dostoevsky, Tolstoy
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"In this sophisticated, wide-ranging study of the relationships between Russian and French literature in the 19th century, Meyer evinces a fine and sensitive understanding of the interconnections of Russia and French literature."---Choice
ussian writers of the nineteenth century were quite consciously creating a new national literary tradition. They saw themselves through Western European eyes, at once admiring Europe and feeling inferior to it. This ambivalence was most keenly felt in relation to France, whose language and culture had shaped the world of the Russian aristocracy from the time of Catherine the Great.
In their novels, Mikhail Lermontov, Fyodor Dostoevsky, and Leo Tolstoy responded to the French realists by setting the French works into dialogue with Russian and biblical texts. Answering the French novels with Pushkin's prose as well as with the Gospels, the Russian authors created moral and philosophical works of art based in the spiritual values they felt the French had lost. Meyer argues that each of these great Russian authors takes the French tradition as a thesis, proposes his own antithesis, and creates in his novel a synthesis meant to create a genuinely Russian national tradition, in dialogue with rather than imitative of Western models.
"By analyzing Pushkin's Bronze Horseman, Gogol's Overcoat, Lermontov's Hero of Our Time, Dostoevsky's Crime and Punishment, and Tolstoy's Anna Karenina in their dialogue with the European tradition, the book provides new insights into the genesis of major Russian texts."---Ksana Blank, Slavic & East European Journal
"A concise but authoritative account of the engagement between French and Russian culture in the eighteenth and nineteenth centuries.... It lucidly demonstrates the superiority of treating intercultural traffic as dialog, rather than monologic influence."---Michael Holquist, Yale University, author of Dialogism: Bakhtin and His World is professor of Russian at Wesleyan University and author of Find What the Sailor Has Hidden: Vladimir Nabokov's Pale Fire.
ussian writers of the nineteenth century were quite consciously creating a new national literary tradition. They saw themselves through Western European eyes, at once admiring Europe and feeling inferior to it. This ambivalence was most keenly felt in relation to France, whose language and culture had shaped the world of the Russian aristocracy from the time of Catherine the Great.
In their novels, Mikhail Lermontov, Fyodor Dostoevsky, and Leo Tolstoy responded to the French realists by setting the French works into dialogue with Russian and biblical texts. Answering the French novels with Pushkin's prose as well as with the Gospels, the Russian authors created moral and philosophical works of art based in the spiritual values they felt the French had lost. Meyer argues that each of these great Russian authors takes the French tradition as a thesis, proposes his own antithesis, and creates in his novel a synthesis meant to create a genuinely Russian national tradition, in dialogue with rather than imitative of Western models.
"By analyzing Pushkin's Bronze Horseman, Gogol's Overcoat, Lermontov's Hero of Our Time, Dostoevsky's Crime and Punishment, and Tolstoy's Anna Karenina in their dialogue with the European tradition, the book provides new insights into the genesis of major Russian texts."---Ksana Blank, Slavic & East European Journal
"A concise but authoritative account of the engagement between French and Russian culture in the eighteenth and nineteenth centuries.... It lucidly demonstrates the superiority of treating intercultural traffic as dialog, rather than monologic influence."---Michael Holquist, Yale University, author of Dialogism: Bakhtin and His World is professor of Russian at Wesleyan University and author of Find What the Sailor Has Hidden: Vladimir Nabokov's Pale Fire.
作者簡介
Priscilla Meyer is professor of Russian at Wesleyan University and the author of Find What the Sailor Has Hidden: Vladimir Nabokov’s Pale Fire.
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