90折
Fashion, Interior Design and the Contours of Modern Identity
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：NT$ 9350 元優惠價
：90 折 8415 元
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... a strong and innovative contribution to scholarship ...where dress, interiors and personal identity come together. The book prompted me to think about my own scholarship in different and intersting ways. Virginia Terry Boyd, University of Wisconsin-Madison, USA
Challenging the notion that fashion and furniture were or are separate enterprises and distinct material aesthetic traditions, this collection focuses on three material and conceptual links central to understanding the relationship between interior design and fashion - the body, fabric, and space.
The volume considers the changing visual, material and spatial character, methodological challenges posed by, and formal, political and historiographical significance of, a wide range of British, European and North American case studies since the eighteenth century. The volume's eleven case studies allow the reader to understand connecting notions behind the formation of interiors and fashionable clothing. The essays combine a wide range of significant and challenging new examples alongside powerful reversionary analyses of the various periods, artists, designers, and their best and significant objects.
Fashion, Interior Design and the Contours of Modern Identity is concerned not only with fabric, but also with the body and the implications of embodiment in the practices of both design domains which are equally invested in the comfort, aesthetic pleasure, extension and support of the body in different and yet seemingly identical ways.
Challenging the notion that fashion and furniture were or are separate enterprises and distinct material aesthetic traditions, this collection focuses on three material and conceptual links central to understanding the relationship between interior design and fashion - the body, fabric, and space.
The volume considers the changing visual, material and spatial character, methodological challenges posed by, and formal, political and historiographical significance of, a wide range of British, European and North American case studies since the eighteenth century. The volume's eleven case studies allow the reader to understand connecting notions behind the formation of interiors and fashionable clothing. The essays combine a wide range of significant and challenging new examples alongside powerful reversionary analyses of the various periods, artists, designers, and their best and significant objects.
Fashion, Interior Design and the Contours of Modern Identity is concerned not only with fabric, but also with the body and the implications of embodiment in the practices of both design domains which are equally invested in the comfort, aesthetic pleasure, extension and support of the body in different and yet seemingly identical ways.
作者簡介
Alla Myzelev is an Assistant Professor of Art History at the University of Guelph, Canada. She has published on the relationship between Russian and Ukrainian avant-garde and craft, the role of women in the Arts and Crafts Movement as well as the representation of material culture in museums and private collections.
John Potvin is Associate Professor of European Art and Design History at the University of Guelph, Canada. He is the author of Material and Visual Cultures Beyond Male Bonding, 1880-1914: Bodies, Boundaries and Intimacy (2008) and editor of the Places and Spaces of Fashion, 1800-2007 (2009).
John Potvin is Associate Professor of European Art and Design History at the University of Guelph, Canada. He is the author of Material and Visual Cultures Beyond Male Bonding, 1880-1914: Bodies, Boundaries and Intimacy (2008) and editor of the Places and Spaces of Fashion, 1800-2007 (2009).
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