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Also included are portraits of Marcel Duchamp, Francis Picabia, and Breton’s mysterious friend Jacques Vaché, as well as a crisis-by-crisis account of his dealing with Dada’s leader, Tristan Tzara. Finally, Breton offers a first glimpse of Surrealism, the movement that was forever after identified with his name and that stands as a defining force in twentieth-century aesthetics.
作者簡介
Mary Ann Caws is Distinguished Professor of French at Hunter College and at the City University of New York. Her most recent work is Robert Motherwell: What Art Holds. She is the translator of Andre Breton’s Mad Love (Nebraska 1987) and Communicating Vessels (Nebraska 1990).
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