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As Karen Malpede points out in her introduction to Acts of War, drama "arose as a complement to, perhaps also as an antidote to, war." Like the great ancient Greek playwrights Aeschylus, Sophocles, and Euripides, the playwrights in this volume see the theater as an art form uniquely capable of addressing the effects of warfare.
From the violence on the battlefield and in the cells of Guantanamo to the toll exacted on veterans, victims, and civil society, these seven plays explore the costs of the wars in Iraq and Afghanistan. Writting with poetic passion, humor, and erotic charge, American and British playwrights bear witness to the realities of these wars for combatants and civilizing-alike and ask what it means to be a citizen in a democracy at war. With an introduction that sets the plays in the broader context or the theater's toots and recent history and a galvanizing foreworth from Pulitzer Prizeuwinning author Chris Hedges, Acts of War is a remarkable testament to the social conscience and moral importance of contemporary theater.
From the violence on the battlefield and in the cells of Guantanamo to the toll exacted on veterans, victims, and civil society, these seven plays explore the costs of the wars in Iraq and Afghanistan. Writting with poetic passion, humor, and erotic charge, American and British playwrights bear witness to the realities of these wars for combatants and civilizing-alike and ask what it means to be a citizen in a democracy at war. With an introduction that sets the plays in the broader context or the theater's toots and recent history and a galvanizing foreworth from Pulitzer Prizeuwinning author Chris Hedges, Acts of War is a remarkable testament to the social conscience and moral importance of contemporary theater.
作者簡介
Karen Malpede is author of fifteen produced plays, short stories, and essays on theater and human rights, and a collection of early plays, A Monster Has Stolen the Sun and Other Plays (1987). She is cofounder, with George Bartenieff and the late Lee Nagrin, of Theater Three Collaborative. She has taught Greek and contemporary drama and writing at Smith College, New York University, and the CUNY Graduate Center’s Continuing Education Program. Michael Messina was the publisher at Applause Theatre & Cinema Books and Limelight Editions (Hal Leonard Corporation).He has also worked for Da Capo Press, Cooper Square Press, and the American Booksellers Association. Bob Shuman is the owner of Marit Literary Agency in New York, and is an editor, a playwright, a college professor, an author, and a composer. He is coeditor of Duo!: The Best Scenes for Two for the 21st Century (2009). A fellow of the Lark Theatre Company, he is the recipient of Hunter College’s Irv Zarkower Award for excellence in playwriting. Visit Shuman’s theater website, Stage Voices, at www.stagevoices.com.
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