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Fire Exit is all about participatory observation. The reader is taken on a trip, but not an ordinary journey - it is a derive, in the true sense of the word: a detour, a drifting, an ambling. We are not sure where the nameless narrator is taking us, but we are caught up in the narrative, and soon we forget all about ourselves and learn to see things anew: our eyes have been opened. This is not a passive exercise; the reader is required to take part in the journey, to notice the world around her, to take note. A boy sits in the movie theater gazing at the fire exit sign, realizing that the Real Story is not in this dark stuffy overcrowded room but Out There, just outside his reach, glowing red. Walter Benjamin writes in The Arcades, "To walk out of your front door as if you've just arrived from a foreign country; to discover the world in which you already live; to begin the day as if you've just gotten off the boat from Singapore and have never seen your own doormat or the people on the landing... it is this that reveals the humanity before you, unknown until now." These three-line stanzas look unassuming on the page but they are capable of amazing leaps and bounds: in the course of one section they might take us from France to Mascagni to Byron and back, in an astonishing syntactic waltz. Pay attention, like Dante in the underworld, and you will be transformed.
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