Tonality As Drama: Closure and Interruption in Four Twentieth-century American Operas
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商品簡介
From a singer's perspective, Latham (music theory, Temple U.) examines four early twentieth century American operas to understand why the use of tonality continued while composers of other genres during the period abandoned it. Using the ideas of music theorist Heinrich Schenker and director and drama teacher Konstantin Stanislavsky, he considers Scott Joplin's Treemonisha, George Gershwin's Porgy and Bess, Kurt Weill's Street Scene, and Aaron Copland's The Tender Land, and argues that tonality was used for dramatic effect. Annotation c2009 Book News, Inc., Portland, OR (booknews.com)
作者簡介
Edward D. Latham was born in Lowell, Massachusetts, and attended Phillips Academy and Yale University, where he received his in 2000. He has lived and worked in New Hampshire, Connecticut, and Minnesota, and is currently assistant professor of music theory at Temple University’s Boyer College of Music and Dance in Philadelphia, where he was the recipient of the 2007 Teaching Academy Award for excellence in teaching. In addition to teaching and writing about music, Dr. Latham is active as a professional singer and church musician.
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