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"Mama Dada" is the first book to examine Gertrude Stein's drama within the history of the theatric and cinematic avant-gardes. It explores her development of a unique playwriting esthetic based in avant-garde drama, cinema, and queer identity. This is the first study to examine in detail Stein's major plays--"Four Saints in Three Acts "(1927), "They Must. Be Wedded. To Their Wife." (1931), " Listen to Me" (1936), "Doctor Faustus Lights the Lights" (1938), "Yes Is for a Very Young Man "(1944-46), and T"he Mother of Us All "(1945-46)--and to distinguish between her major and minor dramatic works. It is also the first book to consider Stein's impact as a major influence on the American avant-garde, in particular her influence on The Living Theater, Richard Foreman, and Robert Wilson. Through close examination of her career and work (as text and in performance), Sarah Bay-Cheng aims to demystify Stein's drama and to connect her achievements to a larger historical and theoretical tradition in European and American theater.
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Sarah Bay-Cheng is Assistant Professor of English and Theater at Colgate University. She received her Ph.D. with distinction from the University of Michigan. She is in the process of relocating to SUNY, Buffalo. Her co-edited anthology with Bert Cardullo, The Fallen Staff: An Anthology of Falstaff Plays (2003) is forthcoming this year.
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