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Chuks used to be a fixer, a go-between for foreign journalists and local groups. When militants attack a new oil pipeline, British journalists and international spin doctors rush to the scene. As more players get involved, the stakes get higher. They’ll make it worth his while, but if Chuks joins the game, will he ever be able to leave?
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LYDIA ADETUNJI won the Almeida Theatre’s Write competition in 2006, and subsequently completed attachments to both the Royal Court and the National Theatre Studio. Other work has included Floor 44 and Trickster, both produced at the Young Vic as part of ATC’s Play Size, Canton Kitty, performed at the Globe, and Hot, a site-specific piece for the Oval House Theatre. Lydia’s noir script Necropolis was fourth on the 2008 Brit List, an industry poll of the best unproduced screenplays in the country, now under option to Stealth Films. Lydia has been made Pearson Writer in Residence for Paines Plough where she is working on a new play. She wrote a short play as part of the Tricycle Theatre’s Women, Power and Politics season and a new full-length commission for the same theatre.
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