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The Eros Sleeping sculpture gracing the cover has been traced to the Greek or Roman period. Are copies that Michelangelo was urged to make of his Sleeping Cupid paying homage to this influence or willful misrepresentations? This example is emblematic of anxieties regarding authenticity and the development of expertise in the rapidly-evolving Roman antiquities market in the Renaissance. In this important catalyst to a new branch of research on the history and purpose of the copy, art historians Gregory (St. Francis Xavier U., Nova Scotia) and Hickson (U. of Guelph, Canada) introduce nine illustrated case studies that address such issues. Hickson's essay on Giuseppe Oroglogi treats a Venetian scholar who satirized his society as one that thrived on deception. Annotation c2012 Book News, Inc., Portland, OR (booknews.com)
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Sharon Gregory is Associate Professor in Art History and Erasmus Chair in Renaissance Humanism at St Francis Xavier University, Canada. Sally Anne Hickson is Associate Professor of Art History at the University of Guelph, Canada.
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